Call for Papers - Musical Legacies of State Socialism: Revisiting Narratives about Post-World War II Europe
Call for Papers - Musical Legacies of State Socialism: Revisiting Narratives about Post-World War II EuropeConference venue: Belgrade, Serbia Period: September 24-26, 2015 Deadline for submitting abstracts: February 15, 2015
DescriptionThe Institute of Musicology of the Serbian Academy of Sciences is pleased to invite proposals for an international conference Musical Legacies of State Socialism: Revisiting the Narratives about Post–World War II Europe to be held in Belgrade in September 2015.
The countries that imposed the state socialism project were in many ways divided from the Western world by what is widely known as the ‘iron curtain’. In many respects, these countries are considered to have been totalitarian, as their ruling communist parties sought to control every aspect of their citizens’ everyday lives. However, discourses on these issues have recently become equivocal and research has drawn attention to unexplored features of cultural, artistic and musical life ‘behind the wall’. In this conference we wish to examine the musical legacies of the socialist countries of Europe in the period between the end of the World War II and the fall of the Berlin Wall. We also wish to address the possible permeability of the ‘iron curtain’ to cultural exchange and to examine related phenomena, such as the concurrent influence of socialist ideology on music in the West and the present-day political/artistic processes of reappropriation of socialist legacy.
Eligible topicsThus, we suggest the following key issues for the conference:
- Beyond the Iron Curtain: In order to revisit the concept of an impermeable iron curtain which stood between the socialist countries of Europe and the capitalist West, György Péteri has developed the concept of ‘nylon curtain’. While the state-socialist countries were not completely isolated from the West, the degree to which the influence of Western culture was tolerated and the extent of state control over this communication is open to debate. We wish to examine the various channels of communication between the East and the West and to explore in what way certain countries in state socialism system were open to manifestations of Western culture such as visits of various artists, stylistic influences, cultural exchanges, etc.
- ‘Socialist Music’ outside Zhdanovism: Vast swathes of artistic output under state socialism are often described as socialist realism, defined by what was known as Zhdanov Doctrine. However, in certain cases there were also modernist and avantgarde tendencies. The situation was often specific to the country in question, and modernism in art could sometimes become either a part of the ruling state ideology or merely tolerated in order to improve the country’s image in the West. In this respect, the case of Yugoslavia is distinctive, as already in 1948, after the Tito–Stalin split, Yugoslav cultural policymakers began to abandon the basic precepts of socialist realism. Thus, we are interested in investigating both stylistic and political questions which are relevant to this issue.
- The Impact of Official State Policies on Music Production: Beside the aforementioned subtopics, we also welcome other proposals which more generally reconsider the influences of official state policies on music production, in realms of artistic, traditional, as well as popular music. We invite scholars to investigate to what extent policies have shaped (redirected, inhibited or derailed) the development of music practices, for example, in terms of style, technique and the choice of subject matter. We particularly welcome comparative research which takes into account the current scholarship in the fields of literary criticism and art history.
- ‘Socialist Europe’ in the West: While state socialism had been imposed in the East, the communist parties remained strong political factors in some of the post-war Western countries. Certain artists, thinkers, and musicians in Western Europe were influenced by the idea of a socialist society, either seeing it embodied in the state socialist countries, or imagining it as a utopia of the future. We wish to examine how these processes were reflected both in specific musical practices and individual artistic oeuvres.
- Questioned Legacy and Backward Glances: With transitional and economic crises in many of the former state socialist countries, there have been instances of revisiting musical legacies of the past and using them in order to create politically engaged practices which question the current neoliberal capitalist system. Going beyond banal and often commodified instances of ‘nostalgia’ narratives (Yugonostalgy, Ostalgie, etc.), we wish to explore how these processes work and how they recycle what is seen as the musical legacy of state socialism.
Keynote SpeakersMarina Frolova-Walker, Faculty of Music, University of Cambridge
Melita Milin, Institute of Musicology SASA, Belgrade
Conference CommitteeDejan Despić, Fellow of the SASA
Dr. Marina Frolova-Walker
Dr. Ivana Medić
Dr. Melita Milin
Dr. Ana Petrov
Dr. Katy Romanou
Dr. Leon Stefanija
Dr. Danijela Špirić-Beard
Dr. Katarina Tomašević
Dr. Aleksandar Vasić
Dr. Patrick Zuk
Guidelines for submissionWe welcome original musicological and interdisciplinary research which deals with artistic, popular or traditional musical practices. The official language of the conference is English. Proposals (of no more than 400 words) for 20-minute papers and short biographical notes (of up to 200 words) should be sent both to Srđan Atanasovski (email@example.com.
- Institute of Musicology of the Serbian Academy of Sciences and Arts (SASA)
- Department of Fine Arts and Music of the Serbian Academy of Sciences and Arts
- BASEES Study Group for Russian and East European Music (REEM)
Information & contactsSrđan Atanasovski
Institute of Musicology SASA, Belgrade e-mail: firstname.lastname@example.org.